Thursday, 21 March 2013

Giacometti

- 'Sculpting not the human figure, but the shadow that it casts'

Giacometti was a key player in the surrealist art movement, but his work resists easy categorization. Some describe it as formalist, others argue it is expressionist or otherwise having to do with what Deleuze calls 'blocs of sensation' (as in Deleuze's analysis of Francis Bacon). Even after his excommunication from the Surrealist group, while the intention of his sculpting was usually imitation, the end products were an expression of his emotional response to the subject. He attempted to create renditions of his models the way he saw them, and the way he thought they ought to be seen.








The technique he uses in his work and the way he draws is very simiar to my wire drawings and previous work. I am interested by the fact that he explores the idea of the impossibility of rendering or finding an equivalent for another person. The time Giacometti's work was produced was post war(both first and second). It's an age of anxiety- society is not inevitably going to become more civilised. Around this time women were seen as inferior to men yet he believed his work should show the true reflection of the person he is working with and the way they are ought to be seen, despite gender.

FMP - experimentations

Producing plaster casts from mannequins


Don't think this experiment was very successful as it looks too 'life like' and the shape of the figure seems too distorted.

Drew around a mannequin with wire and I am quite pleased with the outcome. The way the wire has been placed together and shaped has a similar feeling to my previous drawings of the figure. I think the leading lines the wire creates is quite interesting and I am also pleased with the transparancy of the piece.


Going to continue adding 'limbs' to the piece e.g. arms and legs, maybe elongate the figure to distort it in some way (reference to Giacometti). As this wire piece is rather transparent I have the idea when it is finished to spray paint through the wire with paper behind it and see if it creates an interesting effect on the paper and then maybe work back into the piece.

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FMP - experimentations

Using plaster and creating a mould from someone's face to produce a life like mould to paint on and experiment with.

Using mod rock and creating 3D masks to paint on to and see what textures I can create.

Really think acrylic paint on plaster creates a textured effect and I like how the paint has chipped slightly off the mould.



Francis Bacon

Francis Bacon, 1st Viscount St. Alban, (22 January 1561 – 9 April 1626) was an English philosopher, statesman, scientist, jurist artist and author. Although his political career ended in disgrace, he remained extremely influential through his works, especially as philosophical advocate and practitioner of the scientific method during the scientific revolution.
Bacon has been called the creator of empiricism. His works established and popularised inductive methodologies for scientific inquiry, often called the Baconian method, or simply the scientific method. His demand for a planned procedure of investigating all things natural marked a new turn in the rhetorical and theoretical framework for science, much of which still surrounds conceptions of proper methodology today.
Bacon was knighted in 1603, and created both Baron Verulam in 1618 and Viscount St. Alban in 1621; as he died without heirs, both peerages became extinct upon his death. He famously died by contracting pneumonia while studying the effects of freezing on the preservation of meat.





Francic Bacon is a figuarative painter, that uses bold ,graphic and emotionally raw imagery. I like how his art work is usually made of abstracted figures typically appearing isolated in glass or steel cages. The hanging of carcases he uses within his work gave me the idea to present my work and the figures I create in interesting ways. Also maybe by being hung with hooks or strings, relating to the meaning of my work and bringing it a grotesque objectifying quality.

Beginning FMP






Tuesday, 12 March 2013

Changing gender

I decided to look into the male body, starting off by taking a photoshoot of a nude male. I decided to experiment particuarly with light in my photoshoot to see what different tones and shadows I could create to work from. After printing the photographs I decided to work from them in the same scale to my female drawings and to create the intensity of the shadows and tones in the photographs just as well with ink and charcoal.



I prefer these drawings to my female drawings I did before hand but I dont think that is due to the topic of gender. I think because I used alot of light in my photoshoot my drawings, from this, contain more shadows and detail.